{"title":"Aevum Menu: Shop \u003e Formats \u0026 Ways to Read \u003e Academic \u0026 Specialist","description":null,"products":[{"product_id":"gregory-the-great-perfection-in-imperfection-transformation-of-the-classical-heritage-volume-14","title":"Gregory the Great: Perfection in Imperfection (Transformation of the Classical Heritage) (Volume 14)","description":"\u003cp\u003eGregory I (590-604) is often considered the first medieval pope and the first exponent of a truly medieval spirituality. 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In these Sather Classical Lectures, André-Jean Festugière moves beyond temples, festivals, and state cults to trace the spiritual lives of individuals who sought personal communion with the divine. Through close readings of Homer, the tragedians, Plato, and later Hellenistic sources, he demonstrates how personal prayer, reflective devotion, and mystical longing coexisted with the more visible public forms of religion. In his account, figures such as Hippolytus, Ion, and Aristides embody the deep friendship and trust that worshipers placed in their gods, revealing a faith that was tender, immediate, and profoundly human.\u003c\/p\u003e\u003cp\u003eFestugière distinguishes between “popular piety” and “reflective piety,” showing how Greeks of all eras—from rural devotees at rustic shrines to philosophers grappling with the mystery of Zeus—cultivated bonds with the divine that transcended civic obligation. By situating Plato within this wider current of personal religion, he argues that the philosopher’s hunger for the Absolute shaped not only later Greek spirituality but also the mystical traditions of the West. This elegant and erudite volume illuminates an often-neglected aspect of classical antiquity, offering modern readers new ways to understand how personal faith and the search for the divine animated Greek thought, literature, and practice.\u003c\/p\u003e\u003cp\u003eThis title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. 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James J. Clauss argues that by posing the question, \"Who is the best of the Argonauts?\" Apollonius redefines the epic hero and creates, in Jason, a man more realistic and less awesome than his Homeric predecessors, one who is vulnerable, dependent on the help of others, even morally questionable, yet ultimately successful.\u003c\/p\u003e\u003cp\u003eIn bringing Apollonius' \"curious and demanding poem\" to life, Clauss illuminates two features of the poet's narrative style: his ubiquitous allusions to the poetry of others, especially Homer, and the carefully balanced structural organization of his episodes. The poet's subtextual interplay is explored, as is his propensity for underscoring the manipulation of the poetry of others through ring composition.\u003c\/p\u003e\u003cp\u003eThis title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. 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Drawing on sculpture, coins, mosaics and other visual evidence, he shows how Alexander’s image was adapted for different audiences and political purposes.\u003c\/p\u003e","brand":"University of California Press","offers":[{"title":"Default Title","offer_id":44361109995654,"sku":"9780520068513","price":237.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/9199\/6550\/files\/9780520068513.jpg?v=1788924758"},{"product_id":"the-making-of-a-heretic-gender-authority-and-the-priscillianist-controversy-transformation-of-the-classical-heritage-volume-24","title":"The Making of a Heretic: Gender, Authority, and the Priscillianist Controversy (Transformation of the Classical Heritage) (Volume 24)","description":"\u003cp\u003eSilenced for 1,600 years, the \"heretics\" speak for themselves in this account of the Priscillianist controversy that began in fourth-century Spain. In a close examination of rediscovered texts, Virginia Burrus provides an unusual opportunity to explore heresy from the point of view of the followers of Priscillian and to reevaluate the reliability of the historical record. Her analysis takes into account the concepts of gender, authority, and public and private space that informed established religion's response to this early Christian movement.\u003c\/p\u003e\u003cp\u003ePriscillian, who began his career as a lay teacher with particular influence among women, faced charges of heresy along with accusations of sorcery and sexual immorality following his ordination to the episcopacy. He was executed along with several of his followers circa 386. 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A.D. 365\/70–414?), an old-fashioned pagan Neoplatonist who studied under Hypatia at Alexandria, yet who in A.D. 410 became the Christian bishop of Ptolemais in Libya. Before accepting, however, he openly stated his objections to certain Christian dogmas. Was he a Christian or a \"baptized Neoplatonist\"?\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eThe generation of Synesius saw the rapid decline of paganism. Furthermore, the Constantinople he visited (A.D. 399–402) was a Greek-Christian Rome whose elites were classically educated. He returned home an ally of the city's Orthodox Christians. He tried to reconcile Neoplatonism with Christianity, but a study of his works demonstrates that he was only partially successful.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eSynesius is important for our understanding of the old aristocracy in Late Antiquity. 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Surveying so-called Jewish novels, including the Letter of Aristeas, 2 Maccabees, Esther, Daniel, Judith, Tobit, Josephus's account of Alexander's visit to Jerusalem and of the Tobiads, Artapanus, and Joseph and Aseneth, she demonstrates that the use of historical fiction in these texts does not constitute a uniform genre. Instead it cuts across all boundaries of language, provenance, genre, and even purpose. Johnson argues that each author uses historical fiction to construct a particular model of Hellenistic Jewish identity through the reinvention of the past. The models of identity differ, but all seek to explore relations between Jews and the wider non-Jewish world.\u003c\/p\u003e\u003cp\u003eThe author goes on to present a focal in-depth analysis of one text, Third Maccabees. Maintaining that this is a late Hellenistic, not a Roman, work Johnson traces important themes in Third Maccabees within a broader literary context. She evaluates the evidence for the authorship, audience, and purpose of the work and analyzes the historicity of the persecution described in the narrative. 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Inside, multicolored frescoes depict scenes from courtly life and the hunt, along with musicians, dancing girls, and naked bathing women. The traveler is transported to the luxurious and erotic world of a mid-eighth-century Muslim Arab prince. For scholars, though, Qusayr 'Amra, probably painted in the 730s or 740s, has proved a mirage, its concreteness dissolved by doubts about date, patron, and meaning. This is the first book-length contextualization of the mysterious monument through a compelling analysis of its iconography and of the literary sources for the Umayyad period. 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